A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

An unusual cartoon that equates a dog/cat rivalry with a spurned lover relationship. A dog about to commit suicide by jumping off a bridge explains his actions. He was living peacefully when suddenly, Flora, a Siamese cat, entered his life. He chased after her but she caught him and beat him up. He tried using subtlelty by luring her with a saucer of milk while he readied himself with a mallet but she outsmarted him by drinking from a straw, then stealing the mallet and clobbering him with it. At this point, the dog concluded Flora was a) shunning him and b) had left an impression on him. After a failed attempt at poisoning her drink, he became a derelict, shunned by all (including Santa Claus) and losing everything while Flora has soared to a life of luxury. End of story. The dog gets ready to jump but instead decides to press onward no matter "what road he takes". Alas, he is run over when crossing the street by a car driven by Flora!

Flora is a gripping tale that delves into the life of Flora, an isolated woman trapped in an abusive marriage with her husband, Denzel. Despite the harsh realities, she finds solace amongst an unlikely community of gardeners who share a dark secret. As the story progresses, Flora reclaims her agency, and together with her new found allies, they confront Denzel and strive for justice. This journey of resilience and empowerment unveils Flora's inner strength and the transformative power of female solidarity.

A girl gets dressed to go out on a date.

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20世纪30年代，一个身无分文的女孩被一名马戏团怪人收留。在怪人爱上她的同时，女孩也开始在马戏团开启了自己的职业生涯。

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Agnes and Estelle share their wisdom on anything from family to world views.